Let me preface this review by stating that I waited to write down any of my thoughts until I had reread this book cover to cover. I never do that. Ever. To say anything about this book would be to spoil the experience of slowly uncovering its secrets. It is for this reason that I begin with a disclaimer that I do not want anyone who has not read this book to read past this paragraph. Go read this book. It is good New Adult. It is good Fiction. Read it. That being said, I feel I can reveal to you that, even going into this book knowing the twist within a twist, I STILL couldn’t figure out what was going on. This is not a dig at Read’s skills as a writer, but rather a testament to them. Unravel is a perfect name for Naomi’s story, as Read has crafted a truly immersive tale that keeps you guessing even as you start to suspect the endgame. While I did have a few issues with some of the narrative threads and lack of resolution regarding how they ultimately played a role in Naomi’s reality, the story and writing are strong enough that I can forgive the remaining ambiguity in favor of hypothesizing to fill in the gaps myself. One of the reasons I enjoyed this book so much is that I enjoyed Naomi. I related to her, not because I’ve been through anything like what she has been through, but because she felt like a real person that I might know and like. This is a trait that is startlingly absent from so many of the books I read nowadays, the New Adult genre in particular. Yet while this novel is undoubtedly focused heavily on plot, it is likewise a character study, one whose purposely convoluted structure means that I had a difficult time connecting to certain characters upon the first reading. I rarely reread a book right after I’ve finished it, but in this case it was almost necessary, and I’m so glad I did, because it enhanced my impression of the characters that Read has created and created a level of depth that makes the story even stronger.
Many are confused about Max’s role in Naomi’s illness. Was he Lachlan the whole time? Did the relationship actually happen, just with faces/names swapped in Naomi’s mind, or did she imagine the whole thing? I think it is pretty clear that Naomi’s relationship with Max was the actual progression of her relationship with Lachlan, a fact brought home by his confusion when she confesses to him that she has been seeing “someone else.” Lachlan is not concerned that she has been seeing someone else because it is apparent to him that she HASN’T been. She has been seeing him, and only the fact that she doesn’t seem to realize this fact is upsetting.
Where the juxtaposition of reality and imagination becomes blurred for me is in Lachlan’s treatment and knowledge regarding Namoi’s rape. Reconstructing the timeline, it seems probable that Lachlan was clued into the fact that she was not a virgin the first time they had sex; her reactions and responses, while not unheard of for one’s first experience with sex, nonetheless are far enough outside the normal experience as to alert Lachlan that it might not actually be the first time. It’s understandable that he wouldn’t have put things together by then; even if he suspected that Naomi wasn’t a virgin by that point, there is no reason to assume that the loss of her virginity was connected with unusual circumstances. When Lachlan has the conversation with his mother, I believe he was at least alerted to the fact that there were issues he should watch out for, which leads me to believe that he was at least somewhat aware of Lana’s true nature at this point or soon thereafter. Then Max/Lachlan sees the google search. Now, at this point, even if he still had reason to assume that Lana was an actual friend of Naomi’s whom he’d never met, he would have known that Michael was not Lana’s father, but rather Naomi’s. Lachlan did business with the man, was acquainted with him. This is the part of the story where I start to make assumptions in order to fill in the gaps. Naomi never tells Max/Lachlan that Lana is the victim of the rape; I have to assume he believes it was Naomi, and why wouldn’t he assume the “real” daughter to be the victim rather than the daughter’s friend? Yet, in Naomi’s mind, Max/Lachlan accompanies both Naomi/Lana to go apartment hunting; again, I have to assume. Either Max/Lachlan is aware of at least part of Naomi’s disorder by this point and is playing along by pretending that Lana exists, which in my mind is less likely, or rather, he doesn’t realize that the apartment is for Lana, nor that Lana is there with them. Rereading that passage in particular, the intentional omission of names suggests that Max/Lachlan understood the apartment to be for Naomi, in order to help her escape from her own situation, and that he mistook any pauses or silences during which she was “talking” to Lana as simple silence, nothing more. Yet while I can content myself with all of the foregoing explanations, I still have two issues with the story. First, as I stated before, I have to assume Lachlan knew that Naomi was the real victim, which means that he initiated sexual relations with her even after he was aware of the rape. In most cases, this situation would make me somewhat wary, and I would want him to use more discretion in allowing her time to heal. Now, perhaps he truly did see her split personality as a protective mechanism and believed that by sleeping with Naomi, he was not injuring the part of her that had experienced the rape. But if he wasn’t even aware of her split persona, or the extent to which it operated, and thus wasn’t sure whether the Naomi persona hadn’t experienced the rape…this is a gray area that I won’t explore too much for fear of delving into an area that I know too little about to render an opinion. The second issue has to do with infidelity. It is a huge red flag for me. I hate it. And whether Max really was Lachlan or not, the fact that Naomi didn’t know this means that she chose to be with someone who wasn’t Lachlan. I got the feeling that Read was trying to promote the idea that it wasn’t really cheating since she was drawn to Lachlan’s essence, but sorry. That doesn’t fly with me. I would have liked to have seen this issue, and Lachlan’s reaction to it, dealt with in more depth, but I guess Lachlan was willing to forgive Naomi her faults given the extreme stresses and difficulties she was facing. That might be his call to make, but it still leaves me unsatisfied. Ultimately, the power of this story is Read’s willingness to give us a book unafraid to delve into ambiguity. Upon finishing the book, I felt that more questions than answers had been delivered- until went back and reread and realized that the clues are all in the omissions. While some might guess at least one twist before the big reveal, I doubt that most readers will have worked out all of the mysteries. However, while the plot was gripping enough to keep me glued to my seat for four hours straight so I could devour this story in one go, it’s the characters that will bring me back to this story for future rereads. Some passages suggest that Read intends for Lachlan to be a sort of metaphor- the fact that Naomi needs both Max and Lachlan in her life showing that she subconsciously needs to reconcile the two halves of her consciousness. I’d rather not reduce Lachlan’s character to a mere symbolic vehicle. Truthfully, even while I assumed that Read had drawn me into an unwelcome love triangle, I connected to the characters enough to make me hope for the impossible- a happy resolution. Upon my first read-through, I was perplexed why I had found Unravel sitting on the romance shelf. It is clearly first and foremost a psychological thriller. The romance came second only to Naomi’s struggles, and while I liked the characters in and of themselves, as far as the relationships were concerned, what romance was there didn’t really do it for me. I’m not a huge fan of established relationships or instant attraction, and those seemed to be the foundations for Naomi’s relationships with both Lachlan and Max. Then I had the idea to reread her interactions with both chronologically, and suddenly I found myself immersed in a wonderful love story, slow burning and passionate in her encounters with Lachlan, and playful in the development of that relationship with “Max.” Unravel was one of my favorite titles this year to date. I encourage anyone who dislikes New Adult to forego their aversion and give this title a try. I think Read hit it out of the park by creating a story that can appeal to readers of so many different genres. If you do give it a go (or hopefully already have if you’ve just read my spoiler-riddled review), let me know what you thought.